Wes Waugh Bio

Wes Waugh is a Boone, North Carolina artist...

... juror, workshop instructor and presenter. Originally from Statesville, N.C., he has been painting since the age of 12 and is currently recognized as one of the southeast region’s leading landscape watercolorists. Wes’s artwork resides in private collections around the U.S., in the estate collection of the late Charles Kuralt, in the High Country home of author Lee Smith, in the Appalachian State University Turchin Center Permanent Collection, and has been featured in U.S. Air Magazine. Waugh describes his influences as stemming from the translational and design influenced watercolor landscapes of the late Eliot O'Hara and Edgar Whitney, both prominent mid-20th century American watercolor masters. His first watercolor workshop was taken with renowned artist and AWS Dolphin Award Winner, Joe Miller, in 1988. Wes has also studied with contemporary watercolorists William B. Lawrence, and Cheng Khee-Chee, both students of the late Edgar Whitney. He cites artist, author and friend, Noyes Capehart Long, with providing “great influence in pushing me to develop multi-media techniques. In addition, Noye’s art and process motivated me to explore textural work and construction pieces". Wes’s best known work is landscape oriented, and typically dominated by bold watercolor washes and the use of a variety of surfaces chosen to best reflect the nature and essence of his subjects. Being a lifelong outdoor enthusiast greatly contributes to the direction of his subject material as images collected over years of backpacking, canoeing and fishing excursions often form the base from which new paintings evolve. Travels to India, China, the U.S. west, and the Canadian wilderness have all inspired new work usually with a solo exhibition following. He has held twelve solo exhibitions and a number of partnered exhibitions during his painting career: "I find comfort in knowing that remote wilderness areas still exist, and often try and draw from my personal experience in visiting these areas as a new painting forms. There is no greater reward than someone feeling strongly enough about one of your efforts to make art, that they want to place the result in their home”.